A large scale and long term (2026-2027) research and sculpture project that reimagines a traditional Bhutanese house from Nobgang village using wax and wood. Conceived by Laura Dzelzytė in collaboration with local Bhutanese artists and artisans, the work transforms vernacular architecture into a living monument, one that foregrounds women’s domestic authority, ritual labour, and maintenance as sacred practice. The project translates the social, spiritual, and gendered logic of Bhutanese domesticity into material form. The house presented as a ritual organism - one that exists only through care.